|
Perhaps the largest landmark for nanotech in the landscape of popular culture has been Michael Crichton's 2002 work, "Prey". What may be painfully familiar to anyone who has followed anything to do with nanotechnology over the past seven years, or has read the book, the plot details how a medical imaging technology enabled by nanobots leads to great swarms of nanobots devouring everything around them and creating a "grey goo".
One argument goes that this book put such a pall over nanotechnology--at least the kind of nanotechnology that involves nanobots--that when it came time to fund and launch a national nanotechnology initiative, the ideas of molecular nanotechnology with assemblers and table-top factories were abandoned in favor of nanoscale material science.
Continue reading "Pop Culture and Nanotech: A Telling Barometer" ยป
|