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The Biomechanics of Dance: Tap, Clogging, and Irish Step (Part 3)

Posted August 27, 2009 12:01 AM by moorec74
Pathfinder Tags: clogging dance Irish step tap

Hello again! After analyzing the more refined styles of ballet and jazz in Part 2, I'd like to discuss some more upbeat choices: tap, clogging, and Irish step. For those CR4ers who might be new to this series, I'm an engineering student at Rensselaer Polytechnic Institute (RPI) and a National Clogging Champion.

Metal and Muscle

In both tap and clogging, the shoes worn by the dancer have metal taps on the balls and heels of the foot. To make articulated sounds more readily achievable, tap shoes have single taps secured tightly to the bottom of the shoe. Clogging shoes, on the other hand, have double taps.

Although they have metal pieces like those on tap shoes, clogging shoes have another tap that is secured loosely to each of the tightly-secured taps (contrary to popular belief, such clogging is not done in wooden shoes). The double taps on clogging shoes make for completely different sounds, and require a slightly different technique than is used in tap dancing.

Making noise is the point of both tap and clogging. The stronger one's leg muscles are, the louder (and sometimes better) sounds that can be produced. For example, my tap dancing partner in high school was phenomenal. As captain of the school's wrestling team, he had incredibly strong leg muscles that made him a wonderful tap dancer.

A tap or clogging dancer's thighs, quads, and calves tend get a good work-out from a long rehearsal or practice session. Personally, I can remember being barely able to walk because of the soreness in my legs after week-long conferences and competitions (but I still enjoyed every minute of it).

While the technique for the two styles is vastly different, they have one thing in common: a significant impact on the feet. Whether dancers are staying mostly on the balls of their feet for tap or landing flat-footed in clogging, the muscles in the foot must absorb the impact. Fast, articulated sounds are harder to learn in either style, and are therefore more impressive to the audience. These sounds require more practice and skill in manipulating the foot properly.

Irish Dance

Just as softshoe Irish step is closer to ballet or jazz, hardshoe Irish step is very similar to tap and clogging. A hardshoe is similar to a tap or clogging shoe, but has much thicker fiberglass for taps instead of thin metal. The shoes themselves are heavy enough to require a decent amount of leg strength to walk in them, let alone dance.

As you may notice during a performance, however, an Irish step dancer's upper body is kept very still most of the time. Therefore, the leg muscles are the crucial part. The stronger a dancer's legs, the easier it is for the dancer - and the more to watch.

Hopefully, Part 3 of this series has given you some insight into the world of noisy dance (when you next see Michael Flatley, you'll appreciate his work even more). Join me next time for Part 4, when I'll give you a peak into the fun and elegant styles that ballroom dance has to offer. Until then, keep tapping those feet!

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