The images that you're about to see are already part of
history. After all, nothing stays the same. Last night, when I visited the Brown Street Mill again, the piles of
rubble had grown higher. As Caterpillar excavators demolished more of Building Four, the
summer sun began to set in the evening sky. By the time that autumn quiets this once-bustling valley, the Brown Street Mill will be no more. Is this really the end of
the Sprague Electric Company's long goodbye? Only time (and the lasting presence of industrial chemicals) will tell.
In the meantime, here's a final batch of photographs along with some commentary.
Mass MoCA and Modern Art
In 1999, Sprague's Marshall
Street facility was reborn as the
Massachusetts Museum of Contemporary Art (Mass MoCA), a museum which now bills
itself as "America's
largest contemporary art center". The 13-acre site is home to 19 galleries with
more than 100,000 square feet of exhibition space, a 650-seat theater, and an
outdoor cinema with a 50-foot wide screen. If you ever visit the Berkshires, check out Mass MoCA. The red-brick building is itself a thing of beauty.
Modern art is a still a bit of a mystery to locals like me.
I understand that it's about abstraction and modernism, but I also know what
Theodore Roosevelt once said about the Armory Show: "That's not art!" Still,
what did TR know about bringing in tourist dollars? The parking lot at Mass MoCA
is filled with out-of-state plates, and they don't belong to EPA investigators
looking for PCBs. As for the picture of the toilet seat, I may submit it to Mass MoCA as
a piece of industrial art from Brown
Street.
From Ash Can to Trash
Can
The Ash Can School was an artistic movement of the early
twentieth century that depicted life in gritty urban neighborhoods. The Brown Street
Mill is located near such a place, a North Adams neighborhood known as River Street. Today,
the green chain link fence that surrounds the Brown Street Mill looks fairly new, or at least freshly painted. The barbed wire above the fence is probably as old
as the day my grandfather called Sprague's Marshall Street factory "my prison".
If you look closely at the bottom-right corner of this
picture, you can see the blue-shirted security guard who shadowed my steps. If
you can make out the cigarette he's holding in his hand, you have some pretty
good eyesight. If you can make out the brand name on the filter, you're
pulling my leg.
All kidding aside, the last two pictures are striking
because of the contrasts (or similarities, depending on your perspective) that they contain.
America the Post-Industrial?
Here, an American flag flies proudly beyond the Brown Street
Mill's abandoned guard house. Because of this picture's perspective, however, the
flagpole seems stunted, and the flag at half mast.
The tan building across the street is a National Grid substation. Once upon a time, that location was the site of the millpond whose waters fed an underground raceway that powered the Brown Street Mill's textile machines.
The Berkshire Hills stand in the background. Industrial empires may rise and fall, but the only changing the mountains do is in the fall, when the leaves on the trees turn to red, yellow and orange.
The Wrong Side of the Tracks?
This picture was taken from Hillside
Cemetery, the only graveyard in America to be
divided by a state highway (or so I've been told). The grounds of the Brown
Street Mill are on the right-hand side of the railroad tracks. Headstones, some of which date
back to the Civil War, are on the left. Soon, both sides of the tracks will be a
graveyard.
Thanks for taking this trip with me, folks. If you have any industrial folktales of your own, I'd love to hear 'em.
Editor's Note: This series also has a Part 1, a Part 2, and a Part 3.
Resources:
http://query.nytimes.com/gst/fullpage.html?sec=travel&res=9F02E3DD1331F933A05756C0A96F958260
http://en.wikipedia.org/wiki/Armory_Show
http://en.wikipedia.org/wiki/Ashcan_School
http://cr4.globalspec.com/blogentry/3186
Steve Melito - The Y Files
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