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Anonymous Poster

Vintage Guitars and Blacklights

02/23/2009 1:15 PM

I'm a collector of vintage guitars (meaning pre-1965). The blacklight is a common tool used by vintage collectors and dealers to help in determining whether a guitar has been refinnished (ie sanded down to the bare wood, re-painted, and then a clear coat of nitrocellulose or polyurethane and then buffed). Guitars that have been refinnished are worth at most half as much as an original finish example. And guitars can run as much as a half million dollars for the rarest and most desirable models (Gibson 1959 Les Paul Standard).

My question is: What makes some guitars glow and others not? And why are some brighter than others? There is endless debate about this on the guitar forums. The common thought is that it is due to the presence of nitrocellulose lacquer which was used as a clear coat for guitars in the 50's and early 60s and the brightness under a black light depends on how much time it has spent in natural daylight. People think that the longer a guitar with a nitro finish is exposed to daylight, the brighter it will glow under black light. But there are some confusing examples where the guitar was just refinnished with nitro and still glows brightly. It is commonly thought that polyurethane finish will not glow under black light.

Any help would be greatly appreciated and also shared on the guitar forums.

Thanks,Ralph in NYC

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Guru

Join Date: Oct 2008
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#1

Re: Vintage Guitars and Blacklights

02/23/2009 6:04 PM

This much help I can give you:

Polyurethanes can be made to glow under a black light by the addition of pigments.

That's how we used to inspect clear PCB coatings for coverage.

That's about all I know.

Good luck!

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Anonymous Poster
#2
In reply to #1

Re: Vintage Guitars and Blacklights

02/23/2009 11:19 PM

Thanks, that helps me actually. After reading this thread

http://www.lespaulforum.com/forum/showthread.php?t=154986

(the latest debate on the Les Paul Forum on this topic) and hearing your response,

my thought now is that there is a yellow pigment in the nitrocellulose lacquer which has phosphors in it. Guitars without the lacqer normally don't glow under a black light. It is known that many nitrocellulose lacquers are yellow-ish straight out of the can, and also it is known that nitro lacquers yellow over time (which creates an old look or also in the extreme case alters the color of the guitar, eg old blue Fender guitars form the 50's have mostly turned green).

What kind of phosphor could be expected in nitro lacquer?

And could one explain non-glowing 50 year old guitars by showing that the lacquer is still totally clear, without any yellow in it to cause a glow?

Or am I basically off track?

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Guru
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#3

Re: Vintage Guitars and Blacklights

02/24/2009 8:12 AM

I don't have an exact answer but this true story may help direct you along a positive path. Many years ago, the company I worked for, purchased drawn wire from a well known manufacturer. Some folks were suspicious that traces of drawing lubricant might be left on the wire surface and that it could impact the reliability if the product. The problem was how to detect the presence of lubricating residue. Your's truly, being a young and amitious engineer, obtained a small amount of fluorecent chemical that was soluble in the lubricant. The plan was for us to inspect the finished wire under a black light to detect traces of the drawing lubricant. I mailed the dye sample to the president of the wire company with instructions of how much to add to the lubricant. The president passed the sample along to a forman who passed it along to a female operator. With each passing, some information was lost. The operator dumped the entire contents of this concentrated fluorescent dye into the lubricating solution. She wasn't terribly careful and spilled some of the dye on her hands. During the rest of the day, she touched herself, and soothed various itches all over her body. After work, she headed directly to her favorite disco with lots of flashing black lights. She noticed people staring at her, and when she realized that every part of her body she had touched all day was flashing brightly to the lights, she fainted. There is more to the story, but this is enough.

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Commentator

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Location: Miami Florida USA
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#4
In reply to #3

Re: Vintage Guitars and Blacklights

02/24/2009 8:52 AM

oH MY GOD this is off topic but aftert reading the last thread i had to tell you . iwas working for a security company we do this bit at the start of a seminar where we plant a flouressed dollar bill on the ground and ask who found it , then use the black light to fine the person if they dont speak up . knowing its a seminar most people say they fopund it then they come tothe stage and show their glowing hands, one time this guy comes up to the stage and we light him up and hes glowwing all over his crotch and butt crack, he must of had crabbs or something.

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Guru

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#5
In reply to #4

Re: Vintage Guitars and Blacklights

02/24/2009 9:19 AM

OMG!

Sorry Guest.

Another perfectly innocent question gets dragged into the depths of depravity by these overactive minds.

Apparently, none of us know anything about old coatings.

Good luck!

LL

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Anonymous Poster
#7
In reply to #5

Re: Vintage Guitars and Blacklights

02/24/2009 9:46 AM

Well, these were both very entertaining stories, and at the end of the day that's all I ever really want, a good chuckle!

Re the black light. I've come a long way in understanding what's going on. I still need to research what material in nitrocellulose lacquer is flourescent and how the material reacts with sunlight, oxygen etc.

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Guru
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#6
In reply to #3

Re: Vintage Guitars and Blacklights

02/24/2009 9:35 AM

I'll speak for the rest of the blog and insist that we hear the rest of the story....

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