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Paints: What's In Them and Why?

10/07/2009 2:47 PM

im not even going to check wiki. I'd like to ask about what we commonly refer to as paint. Obviously it consists of a pigment and something to make the pigment spread and adhere, possibly a vehicle that eventually evaporates.

But what is the difference between acrylic laquer and acrylic enamel? Wasn't laquer originally from laquer trees? Is nitrocellulose a vehicle that evaporates? Oil based paint. Is that originally lindseed oil or mineral spirits?

As you can see i'm not talking about space-age coatings. i'm just asking about paint. But where do you go for the chemical education? I could tell you an optimum PWM output range for a micro-controlled system, but i wanna be able to look at something, wood or steel, flexible, or rigid, and know what kind of paint to use and why.

Thanks in advance!

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#1

Re: Paints, what's in them & why?

10/07/2009 3:00 PM

Pigment Main article: Pigment

Pigments are granular solids incorporated into the paint to contribute color, toughness, texture or simply to reduce the cost of the paint. Alternatively, some paints contain dyes instead of or in combination with pigments.

Pigments can be classified as either natural or synthetic types. Natural pigments include various clays, calcium carbonate, mica, silicas, and talcs. Synthetics would include engineered molecules, calcined clays, blanc fix, precipitated calcium carbonate, and synthetic silicas.

Hiding pigments, in making paint opaque, also protect the substrate from the harmful effects of ultraviolet light. Hiding pigments include titanium dioxide, phthalo blue, red iron oxide, and many others.

Fillers are a special type of pigment that serve to thicken the film, support its structure and simply increase the volume of the paint. Fillers are usually comprised of cheap and inert materials, such as diatomaceous earth, talc, lime, baryte, clay, etc. Floor paints that will be subjected to abrasion may even contain fine quartz sand as a filler. Not all paints include fillers. On the other hand some paints contain very large proportions of pigment/filler and binder.

Some pigments are toxic, such as the lead pigments that are used in lead paint. Paint manufacturers began replacing white lead pigments with the less toxic substitute, titanium white (titanium dioxide), even before lead was functionally banned in paint for residential use in 1978 by the U.S. Consumer Product Safety Commission. The titanium dioxide used in most paints today is often coated with silicon or aluminum oxides for various reasons such as better exterior durability, or better hiding performance (opacity) via better efficiency promoted by more optimal spacing within the paint film.

[edit] Binder or vehicle

The binder, commonly referred to as the vehicle, is the actual film forming component of paint. It is the only component that must be present; other components listed below are included optionally, depending on the desired properties of the cured film.

The binder imparts adhesion, binds the pigments together, and strongly influences such properties as gloss potential, exterior durability, flexibility, and toughness.

Binders include synthetic or natural resins such as acrylics, polyurethanes, polyesters, melamine resins, epoxy, or oils.

Binders can be categorized according to drying, or curing mechanism. The four most common are simple solvent evaporation, oxidative crosslinking, catalyzed polymerization, and coalescence. There are others.

Note that drying and curing are two different processes. Drying generally refers to evaporation of the solvent or thinner,[1] whereas curing refers to polymerization of the binder. (The term "vehicle" is industrial jargon which is used inconsistently, sometimes to refer to the solvent and sometimes to refer to the binder.) Depending on chemistry and composition, any particular paint may undergo either, or both processes. Thus, there are paints that dry only, those that dry then cure, and those that do not depend on drying for curing.[2]

Paints that dry by simple solvent evaporation contain a solid binder dissolved in a solvent; this forms a solid film when the solvent evaporates, and the film can re-dissolve in the solvent again. Classic nitrocellulose lacquers fall into this category, as do non-grain raising stains composed of dyes dissolved in solvent.

Latex paint is a water-borne dispersion of sub-micrometre polymer particles. The term "latex" in the context of paint simply means an aqueous dispersion; latex rubber (the sap of the rubber tree that has historically been called latex) is not an ingredient. These dispersions are prepared by emulsion polymerization. Latex paints cure by a process called coalescence where first the water, and then the trace, or coalescing, solvent, evaporate and draw together and soften the latex binder particles and fuse them together into irreversibly bound networked structures, so that the paint will not redissolve in the solvent/water that originally carried it. Residual surfactants in the paint as well as hydrolytic effects with some polymers cause the paint to remain susceptible to softening and, over time, degradation by water.

Paints that cure by oxidative crosslinking are generally single package coatings that when applied, the exposure to oxygen in the air starts a process that crosslinks and polymerizes the binder component. Classic alkyd enamels would fall into this category.

Paints that cure by catalyzed polymerization are generally two package coatings that polymerize by way of a chemical reaction initiated by mixing resin and hardener, and which cure by forming a hard plastic structure. Depending on composition they may need to dry first, by evaporation of solvent. Classic two package epoxies or polyurethanes would fall into this category.[2]

Still other films are formed by cooling of the binder. For example, encaustic or wax paints are liquid when warm, and harden upon cooling. In many cases, they will resoften or liquify if reheated.

Recent environmental requirements restrict the use of Volatile Organic Compounds (VOCs), and alternative means of curing have been developed, particularly for industrial purposes. In UV curing paints, the solvent is evaporated first, and hardening is then initiated by ultraviolet light. In powder coatings there is little or no solvent, and flow and cure are produced by heating of the substrate after application of the dry powder.

[edit] Solvent

The main purposes of the solvent are to adjust the curing properties and viscosity of the paint. It is volatile and does not become part of the paint film. It also controls flow and application properties, and affects the stability of the paint while in liquid state. Its main function is as the carrier for the non volatile components. In order to spread heavier oils (i.e. linseed) as in oil-based interior housepaint, a thinner oil is required. These volatile substances impart their properties temporarily—once the solvent has evaporated or disintegrated, the remaining paint is fixed to the surface.

This component is optional: some paints have no diluent.

Water is the main diluent for water-borne paints.

Solvent-borne, also called oil-based, paints can have various combinations of solvents as the diluent, including aliphatics, aromatics, alcohols, ketones and white spirit. These include organic solvents such as petroleum distillate, esters, glycol ethers, and the like. Sometimes volatile low-molecular weight synthetic resins also serve as diluents. Such solvents are used when water resistance, grease resistance, or similar properties are desired.

[edit] Additives

Besides the three main categories of ingredients, paint can have a wide variety of miscellaneous additives, which are usually added in very small amounts and yet give a very significant effect on the product. Some examples include additives to modify surface tension, improve flow properties, improve the finished appearance, increase wet edge, improve pigment stability, impart antifreeze properties, control foaming, control skinning, etc. Other types of additives include catalysts, thickeners, stabilizers, emulsifiers, texturizers, adhesion promoters, UV stabilizers, flatteners (de-glossing agents), biocides to fight bacterial growth, and the like.

Additives normally do not alter the percentages of individual components in a formulation[3]

[edit] Color changing paint

Various technologies exist for making paints that change color. Thermochromic paints and coatings contain materials that change conformation when heat is applied, and so they change color. Liquid crystals have been used in such paints, such as in the thermometer strips and tapes used in fishtanks. Photochromic paints and coatings contain dyes that change conformation when the film is exposed to UV light, and so they change color. These materials are used to make eyeglasses.

Electrochromic paints change color in response to an applied electric current. Car manufacturer Nissan has been reportedly working on an electrochromic paint for use in its vehicles, based on particles of paramagnetic iron oxide. When subjected to an electromagnetic field the paramagnetic particles change spacing, modifying their color and reflective properties. The electromagnetic field would be formed using the conductive metal of the car body.[4] Electrochromic paints can be applied to plastic substrates as well, using a different coating chemistry. The technology involves using special dyes that change conformation when an electric current is applied across the film itself. Recently, this new technology has been used to achieve glare protection at the touch of a button in passenger airplane windows.

Product variants

A collection of cans of paint and variants

  • Primer is a preparatory coating put on materials before painting. Priming ensures better adhesion of paint to the surface, increases paint durability, and provides additional protection for the material being painted.
  • Emulsion paint is a water-based paint used for painting interior or exterior surfaces.
  • Varnish and shellac provide a protective coating without changing the color. They are paints without pigment.
  • Wood stain is a type of paint that is very "thin," that is, low in viscosity, and formulated so that the pigment penetrates the surface rather than remaining in a film on top of the surface. Stain is predominantly pigment or dye and solvent with little binder, designed primarily to add color without providing a surface coating.
  • Lacquer is usually a fast-drying solvent-based paint or varnish that produces an especially hard, durable finish.
  • An enamel paint is a paint that dries to an especially hard, usually glossy, finish. Enamel paints contain either glass powder or tiny metal flake fragments instead of the color pigments found in standard oil-based paints. Enamel paint is also mixed with varnish to increase shine as well as assist its hardening process.
  • A glaze is an additive used with paint to slow drying time and increase translucency, as in Faux Painting and Art Painting.
  • A roof coating is a fluid applied membrane which has elastic properties that allows it to stretch and return to their original shape without damage. It provides UV protection to polyurethane foam and is widely used as part of a roof restoration system.
  • Fingerpaint is a kind of paint intended to be applied with the fingers; it typically comes in pots and is used by small children, though it has very occasionally been used by adults either to teach art to children, or for their own independent use.
  • Inks are similar to paints, except they are typically made using finely ground pigments or dyes, and are designed so as not to leave a thick film of binder.
  • Titanium dioxide is extensively used for both house paint and artist's paint, because it is permanent and has good covering power. Titanium oxide pigment accounts for the largest use of the element. Titanium paint is an excellent reflector of infrared, and is extensively used in solar observatories where heat causes poor seeing conditions.
  • Anti-Graffiti Coatings are used to defeat the marking of surfaces by graffiti vandals. There are two categories, sacrificial and non-bonding. Sacrificial coatings are clear coatings that allow the removal of graffiti, usually by pressure washing the surface with high-pressure water, removing the graffiti, and the coating (hence, sacrificed.) They must be re-applied afterward for continued protection. This is most commonly used on natural-looking masonry surfaces, such as statuary and marble walls, and on rougher surfaces that are difficult to clean. Non-bonding coatings are clear, high-performance coatings, usually catalyzed polyurethanes, that allow the graffiti very little to bond to. After the graffiti is discovered, it can be removed with the use of a solvent wash, without damaging the underlying substrate or protective coating. These work best when used on smoother surfaces, and especially over other painted surfaces, including murals.
  • Anti-climb paint is a non-drying paint that appears normal while still being extremely slippery. It is usually used on drainpipes and ledges to deter burglars and vandals from climbing them, and is found in many public places. When a person attempts to climb objects coated with the paint, it rubs off onto the climber, as well as making it hard for them to climb.

[edit] Dangers

  • Non-toxic paints – Average household paint contains up to 10,000 chemicals, of which about approximately 300 are toxins, and 150 are harmful and have been linked to kidney damage, liver damage, or cancer.[7] Even after application and drying, paints and finishes continue to release these toxic emissions into the air for many years to come. The source of those toxins are VOCs. Up until recently very high levels of VOC's were widely utilized in paint products and finishes.[8] Non-Toxic paints do not contain as many volatile organic compounds, which makes enclosed air safer to breath for people vs. regular paint. It also has a less damaging effect on the environment as it reduces landfill, groundwater and ozone depleting contaminants. VOC's are the second largest source of emissions into the atmosphere after automobiles.

YOU CANNOT ESCAPE WIKI!

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#6
In reply to #1

Re: Paints, what's in them & why?

10/08/2009 4:23 AM

Hi RVZ,

GA to you Sir,

For a very complete piece on a huge subject!

Take care.

PS. Why has someone posted you off topic? Very odd that. Perhaps a little jealousy creeping in?

OH well................

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#8
In reply to #6

Re: Paints, what's in them & why?

10/08/2009 10:07 AM

I'd suggest that whoever posted his lengthy, but informative, answer as off-topic simply didn't understand what he was writing.

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#2

Re: Paints, what's in them & why?

10/07/2009 3:27 PM

Pigments are granular solids incorporated into the paint to contribute color, toughness, texture or simply to reduce the cost of the paint. Alternatively, some paints contain dyes instead of or in combination with pigments. Pigments can be classified as either natural or synthetic types. Natural pigments include various clays, calcium carbonate, mica, silicas, and talcs. Synthetics would include engineered molecules, calcined clays, blanc fix, precipitated calcium carbonate and synthetic silicas. Hiding pigments, in making paint opaque, also protect the substrate from the harmful effects of ultraviolet light. Hiding pigments include titanium dioxide, phthalo blue, red iron oxide, and many others.

Fillers are a special type of pigment that serve to thicken the film, support its structure and simply increase the volume of the paint. Fillers are usually comprised of cheap and inert materials, such as diatomaceous earth, talc, lime, baryte, clay, etc. Floor paints that will be subjected to abrasion may even contain fine quartz sand as a filler. Not all paints include fillers. On the other hand some paints contain very large proportions of pigment/filler and binder. Some had lead – those now use titanium white (titanium dioxide).

Binders commonly referred to as the vehicle, is the actual film forming component of paint. It is the only component that must be present; other components listed below are included optionally, depending on the desired properties of the cured film. The binder imparts adhesion, binds the pigments together, and strongly influences such properties as gloss potential, exterior durability, flexibility, and toughness. Binders include synthetic or natural resins such as acrylics, polyurethanes, polyesters, melamine resins, epoxy, or oils. Binders can be categorized according to drying, or curing mechanism. The four most common are simple solvent evaporation, oxidative crosslinking, catalyzed polymerization, and coalescence. There are others.

Latex paint is a water-borne dispersion of sub-micrometre polymer particles. The term "latex" in the context of paint simply means an aqueous dispersion; latex rubber is not an ingredient. Latex paints cure by a process called coalescence where first the water, and then the trace, or coalescing, solvent, evaporate and draw together and soften the latex binder particles and fuse them together into irreversibly bound networked structures, so that the paint will not re-dissolve in the solvent/water that originally carried it. Residual surfactants in the paint as well as hydrolytic effects with some polymers cause the paint to remain susceptible to softening and, over time, degradation by water.

Curing paint, paints that cure by oxidative cross-linking are generally single package coatings that when applied, the exposure to oxygen in the air starts a process that cross-links and polymerizes the binder component. Classic alkyd enamels would fall into this category. Paints that cure by catalyzed polymerization are generally two package coatings that polymerize by way of a chemical reaction initiated by mixing resin and hardener, and which cure by forming a hard plastic structure. Depending on composition they may need to dry first, by evaporation of solvent. Classic two package epoxies or polyurethanes would fall into this category. Other films are formed by cooling of the binder. For example, encaustic or wax paints are liquid when warm, and harden upon cooling. In many cases, they will re-soften or liquify if reheated.

Solvents are used to adjust the curing properties and viscosity of the paint. It is volatile and does not become part of the paint film. It also controls flow and application properties, and affects the stability of the paint while in liquid state. Its main function is as the carrier for the non volatile components. In order to spread heavier oils (i.e. linseed) as in oil-based interior house paint, a thinner oil is required. These volatile substances impart their properties temporarily—once the solvent has evaporated or disintegrated, the remaining paint is fixed to the surface.

Solvent-borne, also called oil-based, paints can have various combinations of solvents as the diluent, including aliphatics, aromatics, alcohols, ketones and white spirit. These include organic solvents such as petroleum distillate, esters, glycol ethers, and the like. Sometimes volatile low-molecular weight synthetic resins also serve as diluents. Such solvents are used when water resistance, grease resistance, or similar properties are desired.

Additives, besides the three main categories of ingredients, paint can have a wide variety of miscellaneous additives, which are usually added in very small amounts and yet give a very significant effect on the product. Some examples include additives to modify surface tension, improve flow properties, improve the finished appearance, increase wet edge, improve pigment stability, impart antifreeze properties, control foaming, control skinning, etc. Other types of additives include catalysts, thickeners, stabilizers, emulsifiers, texturizers, adhesion promoters, UV stabilizers, flatteners (de-glossing agents), biocides to fight bacterial growth, and the like.

Color changing technologies exist for making paints that change color. Thermochromic paints and coatings contain materials that change conformation when heat is applied, and so they change color. Liquid crystals have been used in such paints, such as in the thermometer strips and tapes used in fishtanks. Photochromic paints and coatings contain dyes that change conformation when the film is exposed to UV light, and so they change color. These materials are used to make eyeglasses.

Variants

  • Primer is a preparatory coating put on materials before painting. Priming ensures better adhesion of paint to the surface, increases paint durability, and provides additional protection for the material being painted.
  • Varnish and shellac provide a protective coating without changing the color. They are paints without pigment.
  • Wood stain is a type of paint that is very "thin," that is, low in viscosity, and formulated so that the pigment penetrates the surface rather than remaining in a film on top of the surface. Stain is predominantly pigment or dye and solvent with little binder, designed primarily to add color without providing a surface coating.
  • Lacquer is usually a fast-drying solvent-based paint or varnish that produces an especially hard, durable finish.
  • An enamel paint is a paint that dries to an especially hard, usually glossy, finish. Enamel paints contain either glass powder or tiny metal flake fragments instead of the color pigments found in standard oil-based paints. Enamel paint is also mixed with varnish to increase shine as well as assist its hardening process.
  • A glaze is an additive used with paint to slow drying time and increase translucency.
  • A roof coating is a fluid applied membrane which has elastic properties that allows it to stretch and return to their original shape without damage. It provides UV protection to polyurethane foam and is widely used as part of a roof restoration system.
  • Fingerpaint is a kind of paint intended to be applied with the fingers; it typically comes in pots and is used by small children, though it has very occasionally been used by adults either to teach art to children, or for their own independent use.
  • Titanium dioxide is extensively used for both house paint and artist's paint, because it is permanent and has good covering power. Titanium oxide pigment accounts for the largest use of the element. Titanium paint is an excellent reflector of infrared, and is extensively used in solar observatories where heat causes poor seeing conditions.
  • Graffiti repel. There are two categories, sacrificial and non-bonding. Sacrificial coatings are clear coatings that allow the removal of graffiti, usually by pressure washing the surface with high-pressure water, removing the graffiti, and the coating (hence, sacrificed.) They must be re-applied afterward for continued protection. This is most commonly used on natural-looking masonry surfaces, such as statuary and marble walls, and on rougher surfaces that are difficult to clean. Non-bonding coatings are clear, high-performance coatings, that allow the graffiti very little to bond to. After the graffiti is discovered, it can be removed with the use of a solvent wash, without damaging the underlying substrate or protective coating. These work best when used on smoother surfaces, and especially over other painted surfaces, including murals.
  • Anti-climb paint is a non-drying paint that appears normal while still being extremely slippery. It is usually used on drainpipes and ledges to deter burglars and vandals from climbing them, and is found in many public places. When a person attempts to climb objects coated with the paint, it rubs off onto the climber, as well as making it hard for them to climb.
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#3

Re: Paints: What's In Them and Why?

10/07/2009 10:15 PM

Anybody (er, well many people anyways, and an engineer should be able to without even trying) can copy and paste Wiki/Internet articles. Even if it was to make a point, I don't consider them GAs.

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#9
In reply to #3

Re: Paints: What's In Them and Why?

10/08/2009 11:27 AM

Yes, I was not after a GA. I was proving a point. The point is that he said he wouldn't check Wiki, So I simply copy and pasted the Wiki Article on "paint". If you look at the last line, its the only actual text written by yours truly, and it reads: YOU CANNOT ESCAPE WIKI!.... or something along those lines.

But thanks for the undeserved GA anyway.

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#4

Re: Paints: What's In Them and Why?

10/08/2009 1:26 AM

Hi wooliver,

Your question is huge!

Where to start......................... Well, the first answer you have seems pretty good.

1) Paint or surface coating,................depending on:

2) The type of surface,

3) Metal, type,

4) Wood, type

5) Brick type

6) Plastic, type

7) The smoothness of the surface,

8) Outside,

9) Inside,

10) Will it be near chemicals and,

11) What kind of chemicals,

12) Will it be used in the sea,

13) In heat,

etc etc.

Post number one seems to have covered most of the subject, and from that you can see what you ask is by no means a straight forward answer.

Take care.

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#5

Re: Paints: What's In Them and Why?

10/08/2009 3:42 AM

"im not even going to check wiki."

considering the scope of your question, why not?

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#7

Re: Paints: What's In Them and Why?

10/08/2009 9:21 AM

The paint industry is so old and diversified that the meanings of these terms are kind of blurry. So what follows are not set-in-stone by any means. A lacquer as I understand it was originally a non-pigmented or slightly pigmented coating. The resin used to form the film, impart visual effect and/or carry the color was derived from natural products like shellac, sumac or some other type of sap bearing plant. The resins were dissolved in volatile solvents like alcohol. As things evolved hard synthetic resins replaced the natural resins in some applications and these included nitrocellulose (aka. cellulose nitrate) and its various derivatives, vinyl type resin and eventually acrylic. Lacquer, varnish, enamel the terms today kind of get blurred but one cannot go to wrong in considering a lacquer to be solvent based forming a hard glossy film via evaporation of a volatile solvent, varnish forms a film (not necessarily glossy) via evaporation of slower solvents and/or cross linking of the resin used. While enamels form glossy hard smooth films via fusing or polymerization of the film forming materials (e.g. glass or acrylate) via the application of energy (e.g. heat, UV radiation) So, while a lacquer or varnish may soften or melt under the application of heat (depending on the extent of cross linking if any) a cured enamel will resist it until such a temperature that causes the enamel coating to char, or the substrate to melt or burn. Nitrocellulose does not evaporate (it will burn like crazy or even explode under certain conditions) Oil based paint, or varnish is generally a paint that contains drying oils, i.e. oils that will form a solid film. But, it can also be any coating that can is soluble in or can be degraded by oil or organic solvents. Those oils can be drying or non-drying types like linseed for film forming or solvent or mineral generally used for solvents. Hope this helps

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