The
reaction is the same every time: a tingling feeling at the back of the neck and
an excitement that has recurred on every visit since childhood.
The
"Making of the Modern World" gallery in London's Science Museum [SM] [free
admission as of March 2015] contains two exhibits of global importance as far
as railways are concerned. One is William Hedley's "Puffing Billy" of 1813, being
the oldest surviving steam locomotive in the world, and the other is the
original of Stephenson's "Rocket".
Puffing
Billy is interesting in her own right, though today she represents technology
that has been long superseded. From a modern design perspective she isn't going
to win any races, being simply a mine pumping engine, miniaturised, with an
arrangement of cranks and clanks sufficient to propel itself along on its own
wheels while hauling a load. She [despite their names all steam locomotives are referred to as female] compares with the stationary mine pumping
engines that have been recovered from their original locations and reinstalled
nearby. Curiously, the SM made nothing of an incoming suggestion a few years
ago for a "Puffing Billy 200" event, the opportunity now having passed.
Sixteen
years later time-wise, and not far away as regards current location in the
gallery, is a machine that, at one time, held the world land speed record.
If
Robert Stephenson (for it was Robert who built Rocket while his father, George,
was building the Liverpool and Manchester Railway [L&M], despite what it
said on the back of the previous issue of the Bank of England £5 note) were to walk through
any heritage railway's locomotive shed today, he would immediately recognise
principles and features on nearly all the steam locomotives present, which he had
originally developed with Rocket back in 1828/9: the multi-tube boiler,
cylinders connected directly with the wheels instead of via cranks and gears,
steam exhaust blasted up the chimney to draw the fire, and so-on. The
technology has persisted.
Legend
has it that in preparing for the Rainhill Locomotive Trials (Rainhill is
between Liverpool and Manchester) in 1829, Robert was having particular difficulty with
sealing the smoke tubes to the firebox tubeplate and wrote a long screed to his
father about all his troubles. George, who was only semi-literate, read what he
could, wrote two words on the letter and sent it back: "try again"!
There
is another story that one wag, on being asked whether or not he would ride
behind her, replied, "I would sooner ride behind a military rocket than that
b_____ thing!" With appropriate measures of humour and cheek, that is how
Rocket earned her name.
On
6th October 1829 at Rainhill, Rocket, painted yellow, was the locomotive that became
everyone's little darling. She was the only loco actually to complete the
trials. Timothy Hackworth in particular was angered when his locomotive entrant,
"Sans Pareil", failed due to poor quality cylinder castings and had to retire -
castings that had been made at Robert Stephenson's foundry! "Novelty" was just
that - "Nor goots ['no guts' spoken with
a Northumbrian accent]" scowled George Stephenson. "Cycloped" was little more
than an "also ran", being propelled by a horse facing backwards to the
direction of travel rather than by steam-powered machinery.
Rocket
was one of several locomotives that drew the trains on September 15th
1830, the opening day of the L&M. One Fanny Kemble, a well-known stage
actress at the time, recorded many details after her footplate ride on Rocket alongside
George Stephenson, and revealed that she was "most horribly in love" with him
as a result of her trip.
Train
braking systems had not been developed at that time. Stopping Rocket involved
putting the engine into reverse and applying steam to the pistons. As a
consequence what was supposed to be a glorious day of celebration spawned
tragedy when William Huskisson, then the MP for Liverpool, was unable to reach
safety in time as Rocket and her train approached. Despite several warning
shouts beforehand he was run over by the engine, severely injuring his leg. Sister
locomotive "Northumbrian" was soon unhitched from her train and then set off
for Manchester at high speed, carrying the unfortunate Mr Huskisson towards the
hope of medical attention there and setting a new land speed record. However, the run was in vain and he died later
from his injuries, becoming the first person in the world to be killed by being knocked down by a passenger train. A fortnight later the Albion newspaper published an
anonymously-written poem about the occurrence:
To
celebrate national science and worth
Festivity
crowning his will
Thus,
fearless of danger, he kindly went forth,
To
patronise talent and skill.
The
wave of the hand and the smile of the eye
We
ne'er shall encounter again;
To
the kind recognition, in passing us by,
We
turn in remembrance and pain.
At
that date there was an ancient law in place in the UK called the "deodand". The
principle was that a piece of equipment that had been the prime cause of loss
of life was usually broken up soon after and disposed of, literally 'giving it
to God'. However, Rocket was not broken up and remained in service on the
L&M, being progressively repaired and modified until traffic increased to
the point where she couldn't cope, and more powerful locomotives took over. A
reproduction appeared in the American silent movie star Buster Keaton's 1923
film "Our Hospitality"; ironically, perhaps, in this portrayal the replica Rocket
is stoned by frightened locals.
For
a while Rocket stood in her much-modified
condition outside London's Patent Office. Today she is a centrepiece of the gallery at the SM, though it is
perhaps troubling how many visitors walk by without realising her significance
and giving her a second glance.
A
must-have 1:27 scale plastic construction kit of the locomotive in her original form turned up on a well-known internet auction site in 2014.
The completed model is now on display to visitors to the bothy as a talking point.
Reommended
reading: "The Last Journey of William Huskisson", by Simon Garfield, a Faber
paperback book.
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